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Not that I’m unwilling to lend you a hand ,          I’m too busy for the moment .

       A．because    B．but that    C．but   D．however

 Not that I’m unwilling to lend you a hand , ____I’m too busy for the moment .

         A. because      B. but that      C. but      D. however

The January fashion show, called FutureFashion, exemplified how far green design has come．Organized by the New York-based nonprofit Earth Pledge, the show inspired many top designers to work with sustainable fabrics for the first time．Several have since made pledges to include organic fabrics in their lines.
The designers who undertake green fashion still face many challenges．Scott Hahn, cofounder with Gregory of Rogan and Loomstate, which uses all-organic cotton, says high-quality sustainable materials can still be tough to find．“Most designers with existing labels are finding there aren’t comparable fabrics that can just replace what you’re doing and what your customers are used to,” he says．For example, organic cotton and non-organic cotton are virtually indistinguishable once put into a dress．But some popular synthetics, like stretch nylon, still have few eco-friendly equivalents.
Those who do make the switch are finding they have more support．Last year the influential trade show Designers & Agents stopped charging its participation fee for young green entrepreneurs（企業(yè)家） who attend its two springtime shows in Los Angeles and New York and gave special recognition to designers whose collections are at least 25% sustainable．It now counts more than 50 green designers, up from fewer than a dozen two years ago．This week Wal-Mart is set to announce a major initiative aimed at helping cotton farmers go organic: it will buy transitional cotton at higher prices, thus helping to expand the supply of a key sustainable material．“Mainstream is about to occur,” says Hahn.
Some analysts are less sure．Among consumers, only 18% are even aware that ecofashion exists, up from 6% four years ago．Natalie Hormilla, a fashion writer, is an example of the unconverted consumer．When asked if she owned any sustainable clothes, she replied: “Not that I’m aware of.” Like most consumers, she finds little time to shop, and when she does, she’s on the hunt for “cute stuff that isn’t too expensive.” By her own admission, green just isn’t yet on her mind．But—thanks to the combined efforts of designers, retailers and suppliers—one day it will be.
67．What is said about FutureFashion?
A．It inspired many leading designers to start going green.
B．It showed that designers using organic fabrics would go far.
C．It served as an example of how fashion shows should be organized.
D．It convinced the public that fashionable clothes should be made durable.
68．According to Scott Hahn, one big challenge to designers who will go organic is that        .
A．much more time is needed to finish a dress using sustainable materials
B．they have to create new brands for clothes made of organic materials
C．customers have difficulty telling organic from non-organic materials
D．quality organic replacements for synthetics are not readily available
69．What is Natalie Hormilla’s attitude toward ecofashion?
A．She is doubtful of its practical value.     B．She doesn’t think it is sustainable.
C．She doesn’t seem to care about it.   D．She is very much opposed to the idea.
70．What does the author think of green fashion?
A．Green products will soon go mainstream．
B．It has a very promising future.
C．Consumers have the final say.         
D．It will appeal more to young people.

D
The thing is, my luck’s always been ruined. Just look at my name: Jean. Not Jean Marie, or Jeanine, or Jeanette, or even Jeanne. Just Jean. Did you know in France, they name boys Jean? It’s French for John. And okay, I don’t live in France. But still, I’m basically a girl named John. If I lived in France, anyway.
This is the kind of luck I’ve had since before Mom even filled out my birth certificate. So it wasn’t any big surprise to me when the cab driver didn’t help me with my suitcase. I’d already had to tolerate arriving at the airport to find no one there to greet me, and then got no answer to my many phone calls, asking where my aunt and uncle were. Did they not want me after all? Had they changed their minds? Had they heard about my bad luck—all the way from Iowa—and decided they didn’t want any of it to rub off on them?
So when the cab driver, instead of getting out and helping me with my bags, just pushed a little button so that the trunk (汽車后備箱) popped open a few inches, it wasn’t the worst thing that had ever happened to me. It wasn’t even the worst thing that had happened to me that day.
According to my mom, most brownstones in New York City were originally single-family homes when they were built way back in the 1800s. But now they’ve been divided up into apartments, so that there’s one—or sometimes even two or more families—per floor.
Not Mom’s sister Evelyn’s brownstone, though. Aunt Evelyn and Uncle Ted Gardiner own all four floors of their brownstone. That’s practically one floor per person, since Aunt Evelyn and Uncle Ted only have three kids, my cousins Tory, Teddy, and Alice.
Back home, we just have two floors, but there are seven people living on them. And only one bathroom. Not that I’m complaining. Still, ever since my sister Courtney discovered blow-outs, it’s been pretty frightful at home.
But as tall as my aunt and uncle’s house was, it was really narrow—just three windows across. Still, it was a very pretty townhouse, painted gray. The door was a bright, cheerful yellow. There were yellow flower boxes along the base of each window, flower boxes from which bright red—and obviously newly planted, since it was only the middle of April, and not quite warm enough for them.
It was nice to know that, even in a sophisticated (世故的) city like New York, people still realized how homey and welcoming a box of flowers could be. The sight of those flowers cheered me up a little.
Like maybe Aunt Evelyn and Uncle Ted just forgot I was arriving today, and hadn’t deliberately failed to meet me at the airport because they’d changed their minds about letting me come to stay.
Like everything was going to be all right, after all.
Yeah. With my luck, probably not.
I started up the steps to the front door of 326 East Sixty-Ninth Street, then realized I couldn’t make it with both bags and my violin. Leaving one bag on the sidewalk, I dragged the other up the steps with me. Maybe I took the steps a little too fast, since I nearly tripped and fell flat on my face on the sidewalk. I managed to catch myself at the last moment by grabbing some of the fence the gardeners had put up…
67. Why did the author go to New York?
A. She intended to go sightseeing there.
B. She meant to stay with her aunt’s family.
C. She was homeless and adopted by her aunt.
D. She wanted to try her luck and find a job there.
68. According to the author, some facts account for her bad luck EXCEPT that ________.
A. she was given a boy’s name in French
B. the cab driver didn’t help her with her bags
C. her sister Courtney discovered blow-outs  
D. nobody had come to meet her at the airport
69. The underlined phrase “rub off on” in Paragraph 3 probably means _________.
A. have an effect on    B. play tricks on     C. put pressure on      D. throw doubt on
70. From the passage, we can know that _________.
A. the author left home without informing her mother
B. the author arrived in New York in a very warm season
C. her aunt’s family lived a much better life than her own
D. her aunt and uncle were likely to forget about her arrival

 Not that I’m unwilling to lend you a hand ,          I’m too busy for the moment .

A．because    B．but that    C．but   D．however